Faculty

Nationally recognized talent

Get personal. Small classes with accomplished, working theatre professionals means ample one on one attention for each student. Our faculty are award-winning performers, directors, artistic directors, filmmakers, and veteran teachers. We also bring in guest professionals throughout the year, such as artistic directors, agents, professional actors and alumni to share their experiences and insights.

Michael Mendelson

Artistic Director
Shakespeare, Styles, Advanced Acting / Rehearsal & Performance 3

Michael is Artistic Director of Portland Shakespeare Project, a Resident Artist at Artists Repertory Theatre and the resident Shakespeare teacher with The Actors Conservatory. Well known in Portland as an actor, director and teacher, Michael received a Bachelor of Fine Arts from Wayne State University and a Master of Fine Arts from University of Washington’s Professional Actors Training Program. While in New York City, he studied with Tanya Berezin. Michael’s directing credits include The Importance of Being Earnest, The Understudy, Intimate Apparel and both directed and starred in Mistakes Were Made for Artists Rep. For Portland Shakespeare Project: An Educational First Reading of The Winter’s Tale translated by Tracy Young, The Tempest, The Taming of the Shrew, As You Like It and Lear’s Follies and from the Play on! Shakespeare, staged readings of Ranjit Bolt’s Much Ado About Nothing and Jeff Whitty’s A Midsummer Night’s Dream. An Act of God (Nebraska Repertory Theatre), Love’s Labour’s Lost (Northwest Classical Theatre Company), Stones In His Pockets (Public House Theatre), As Is (Key Productions), The Meaning of Prayer (Verbatim Productions) and staged readings of Botticelli (Profile Theatre) and Dinner With Friends (Mt. Hood Repertory Theatre). His acting credits at Artists Rep include Indecent, 1984, Small Mouth Sounds, Magellanica, An Octoroon, Marjorie Prime, Trevor, The Price, also Tribes, The Skin of our Teeth, Blithe Spirit, The Quality of Life, Ten Chimneys, Red Herring and Sherlock in Sherlock Holmes and the Case of the Christmas Carol, God of Carnage, The Cherry Orchard, Superior Donuts, Othello, Design for Living, Holidazed, Becky’s New Car, Three Sisters, Eurydice, House, Garden, Orson’s Shadow, Mr. Marmalade, Theater District and Love!Valour!Compassion! Duke Orsino in Twelfth Night with Portland Shakes. Other local credits include Scrooge in A Christmas Carol with Portland Playhouse and work with Oregon Shakespeare Festival/Portland, Profile Theatre, Miracle Theatre, Northwest Classical Theatre Company, triangle productions!, Tygres Heart Shakespeare, Portland Center Stage, Reader’s Theatre Repertory and New Rose Theatre. New York credits include Revolving Shakespeare Company, Theatre 1010, The Normal Heart (Lincoln Center/Clark Studio Theatre), Genesius Guild and The Barrow Group. Regional credits include work at PCPA Theatrefest, Paper Mill Playhouse, A Contemporary Theatre, Saint Michael’s Playhouse, Penobscot Theatre Company, Arkansas Repertory Theatre, First Stage Milwaukee, Idaho Rep, Attic Theater and Wisconsin, Utah and Berkeley Shakespeare Festivals. Michael is a proud member of SDC, AEA, and SAG-AFTRA. www.mvmendelson.com

Sascha Blocker

Movement

Sascha Lynn Blocker is a performer, director, and creator of original work. She earned an MFA in Lecoq Based Actor Created Theater from the London International School of Performing Arts (LISPA) in conjunction with Naropa University. Local credits include: Hand2Mouth, CoHo, Imago, Third Rail, Post 5, Liminal Performance Group, and The Actors Conservatory. Sascha was an associate artist for Drammy award winning theater company Push Leg and is currently a member of the CoHo Clown Cohort. Sascha also works as an adjunct faculty member and teaches classes in Communication Studies and Theater. Theater teaching includes movement, improvisation, devising theater, character development, and clowning.

Phillip Ray Guevara

Studio Program

Phillip is a classically trained actor and professional acting coach from San Antonio, TX. On stage, he has performed with Tony Award Winning Cincinnati Playhouse in the Park, Titan Theatre Company, Illinois Shakespeare Festival, Intiman Theatre, Portland Shakespeare Project, and Artists Repertory Theatre. In front of the camera, Phillip has appeared in ads for clients such as: Amazon, Microsoft, Starbucks, Brooks Running, Altra Running, Oregon Health Insurance, and AutoNation among others. Phillip holds a B.F.A. in Acting from Texas State University, and an M.F.A. in Acting from The University of Washington. www.philliprayguevara.com

Tony Fuemmeler

Studio Program

Tony is a theater artist exploring transformation, expression, and story. He frequently uses masks and puppetry in his work and has designed masks, coached movement, puppeteered, and directed shows around the country. Among many others, he has collaborated on The Poor of New York (Dell’Arte), Macabre Cabaret (Dell’Arte), Mad Labs(Dell’Arte), Wolf Play (Artists Repertory Theater), The Spider Queen (The NOLA Project), The Snowstorm (Many Hats), The Very Hungry Caterpillar Show (Oregon Children’s Theater), bugged. (Simple Machines), MAYA (Teach for India, Mumbai), and the Rubin Museum Gala. Tony is the Head of Training at Dell’Arte International and faculty in mask making and performance, movement and commedia dell’arte. His teaching has also included arts-integrated residencies, after-school classes and summer camps, and skills-based workshops in commedia dell’arte and mask-making for college students and professionals. Tony is a graduate of the University of Kansas and Dell’Arte.

Chris Harder

Meisner Technique, Viewpoints, Graduation Thesis Research/Project

Chris is an award-winning actor, a director and theatre maker dedicated to artistic risk and the creation of new work. He is a Resident Artist with Artists Repertory Theatre and was an original member of the Sowelu Theater Ensemble for seven seasons. Chris has performed in a numerous plays and world premier workshops with nationally recognized playwrights and professional companies including; Artists Repertory Theatre, Portland Center Stage, Third Rail Repertory, Portland Playhouse, Portland Shakespeare Project, CoHo Productions, Profile Theatre, Shaking The Tree, Sojourn Theatre, Stark Raving Theatre, Well Arts, Red Door Project, Sun Valley Shakespeare and Portland Civic Theatre Guild. As a creator, Chris developed and performed two original solo shows (The Centering and Fishing For My Father) touring to both Edmonton and Boulder International Fringe Festivals. In film and television Chris has worked with Academy Award winning artists and is a proud member of the Screen Actors Guild, the American Federation of Television and Radio Artists, and Actors Equity Association. Chris has been teaching acting for over 20 years. www.chrisharder.com

Stefano Iaboni

Studio Program

Before moving to the United States in 2013, Stefano spent years immersed in Barcelona’s vibrant arts scene. He was deeply involved in theater festivals, teaching at the renowned Nouveau Clown Institute, and acting, directing, and performing across various stages. These experiences shaped Stefano’s passion for connecting with audiences through laughter and storytelling, a passion he’s carried into every aspect of his career.

Since then, Stefano has continued to bring his expertise as a seasoned comedy performer, producer, and director to stages and organizations worldwide. With over 20 years of experience spanning more than 15 countries, he’s mastered the art of using humor to foster creativity, connection, and innovation.

Although he thrives on stage, his work extends to designing transformative workshops and team-building experiences for organizations. Whether he’s performing, producing, or facilitating, Stefano Laboni’s goal is to inspire connection, uplift spirits, and help people embrace new perspectives.

Murri Lazaroff-Babin

Studio Program

Murri (he/him) is an actor, deviser, writer, and teacher from Northern California.  He has worked with a variety of theatre companies in Portland, including CoHo  Productions, Portland Experimental Theatre Ensemble, Portland Shakespeare Project,  and others. Murri has also taught at the collegiate and high school level for University of  Portland, Pacific University, and Metropolitan Performing Arts. He is excited to be self producing his solo show – Camp Fire Stories, which can be seen in Portland, across the  U.S., and Scotland.

Murri is constantly inspired by the unknown slipperiness of the creative process, honest  human connection, and the kindness and imagination of childhood.  He holds an MFA in Acting from The Theatre School at DePaul University.

Sarah Lucht

Text Analysis for the Actor, Theory Into Practice, Monologue Development, Graduation Thesis Research

Sarah is a professional (AEA, SAG/AFTRA) actress, educator and workshop facilitator. She began her teaching career at Portland Actors Conservatory in 1998 and, in their program, has taught Acting Two, Text Analysis and a variety of workshops focusing on Meisner, Auditions Techniques, and Breath and Energy for the Actor (a self-developed course utilizing Reichian breath-work, the bioenergetic work of Alexander Lowen, and Meisner-influenced scene study).

Sarah is an Education Associate for Artists Repertory Theatre where she designs and facilitates workshops for all ages, in coordination with the theatre season. She also teaches Auditioning, Scene Study and various audience enrichment programs for Artists Rep, as well as teaching Shakespeare, playwriting, and scene study in area high schools. She is a founding member of the Portland Shakespeare Project, and a faculty member at the Haven Institute in British Columbia where she co-leads acting workshops for business professionals with Jane Geesman. Sarah also does private coaching for performing artists and business leaders, with a special emphasis on breath and energy work.

A Resident Artist with Artists Repertory Theatre since 2013, Sarah first appeared at Artists Rep in The Artificial Jungle almost thirty years ago. Since then, she has appeared in numerous productions at Artists Rep, as well as other local theatres, including most recently at Artists Rep:  Everybody, The Thanksgiving Play, The Importance of Being Earnest, Trevor, The Skin of Our Teeth, and Ten Chimneys. She has also appeared at Portland Center Stage, Profile Theatre, and Lakewood Theatre.

Caitlin Lushington

Acting Technique 2, Professional Orientation, Audition Technique

Caitlin Lushington is a teacher, an artist, and a creative resiliency coach gathering wisdom on how to cultivate a professional, creative life that is fulfilling and joyful. Her work resists and unravels dominant cultural narratives perpetuated by systems of supremacy.

Caitlin has performed and directed throughout the West Coast, including with the Utah Shakespeare Festival, the Ashland New Plays Festival, San Francisco Fringe, Third Rail’s Mentorship Company, Anonymous Theatre, and Speculative Drama. In 2015 she co-founded Enso Theatre Ensemble, where she devised new approaches to making and teaching theatre founded in mindfulness principles and practices. With Enso she was nominated Best Director for The Romeo & Juliet Project by Broadway World, produced, directed and performed in numerous shows, and developed a one-of-a-kind mentorship program for early career directors.

Caitlin coaches actors and arts educators and offers workshops in creative resiliency & burnout. She draws on her extensive exposure to diverse acting techniques to serve the unique needs of the actor she’s working with. Caitlin holds a B.A. with honors in acting and directing from the University of California, Irvine, and an M.F.A. in Actor Training & Coaching from The Royal Central School of Speech and Drama in London. She also brings to her work her 14+ years mindfulness practice, including a 6-month yoga teacher training, as well as ongoing training in diversity, equity, inclusion, and social justice.

Jacklyn Maddux

Alexander Technique

Jacklyn has been teaching voice for over thirty years and is a Certified Alexander Technique teacher (ATI). She has appeared OFF Broadway and regionally (Joseph Papp’s Public Theatre, New York Shakespeare Festival, Colorado Shakespeare Festival, Cincinnati Playhouse, Kennedy Center, Thirteenth Street Theatre, etc.) She is an Artistic Member of the Ensemble Studio Theatre (NYC). In Portland, Jacklyn has appeared at Profile Theatre, Third Rail Repertory Theatre, Shaking The Tree Theatre, Chapel Theatre and Corrib Theatre. Jacklyn is also a playwright. Her STRANGE SIGHTINGS IN THE GREAT SOUTHWEST was a finalist for the Oregon Book Award. Her play, TIME BEING, was given a reading by the Reading Parlor. She is currently working on two new plays, UNSCRAMBLED EGGS and BAD BABIES, A WESTERN FAIRYTALE. Jacklyn has taught voice, speech and the Alexander Technique at the Neighborhood Playhouse (NYC) and the University of North Carolina School of the Arts where she was awarded the Excellence in Teaching Award. She is a member of Actors Equity and the Dramatists Guild.

Kristen Mun-Van Noy

Production Manager
Stage Combat

Kristen Mun-Van Noy was born and raised on the island of Oahu where she started her theatrical stage combat training. She has been training and working in the field of theatrical combat for almost 20 years and since 2012 she has been working as a fight choreographer and teacher in the city of Portland, OR. She owes her training to Dueling Arts International and her time as assistant fight choreographer at the Oregon Shakespeare Festival (09-10) with resident Fight Director U. Jonathan Toppo. She has received multiple Awards for Best Fight Choreography. Outside of Portland she has worked at Utah Shakespeare Festival and Idaho Repertory Theatre. She is a proud graduate of Maryknoll High School (05) and Southern Oregon University (09).  

Michael O’Connell

Voice, Dialect Intensive

Mike is an award-winning actor, director, and teaching professional. He has taught at Portland State University for twenty years specializing in Voice for the Actor and Script Analysis. Mike is a certified Fitzmaurice Voicework Associate Teacher, a proud member of Actor’s Equity, VASTA, and studied the Linklater technique through Louis Colaianni. MFA, University of Missouri at Kansas City.

A founding member of Third Rail Repertory Theatre and program director of its Mentorship Program. Mike is devoted to the growth of emerging artists and an enthusiastic kick-ball coach. Mike led and fostered Portland Center Stage’s hallmark outreach program, Visions and Voices, and directed the Promising Playwrights of JAW. Mike has worked outreach for Artists Repertory Theatre teaching life skills through theatre in a wide variety of venues. As a private audition coach, Mike has assisted candidates towards acceptance in multiple top ten graduate programs.

Representative examples of recent work: Director: “Gidion’s Knot”, “The Flick”, Third Rail Repertory Theatre. Actor: Portland Playhouse: “Wakey Wakey”, Artists Repertory Theater: The “Thanksgiving Play”, Third Rail: “The Lying Kind” (Drammy Award), “Recent Tragic Events”, (Drammy Award), “The Realistic Joneses”, “The Nether”, “Penelope”, “The Night Alive”, Coho Theater: “The Few”, “The Year of the Rooster”.

Darius Pierce

Studio Program

William Earl Ray

Advanced Scene Study, Graduation Thesis Project

William (Bill) Earl Ray is a Director/Actor with 40+ years of experience in the business. Directing credits are: Lonely Planet, No Niggers, No Jews, No Dogs (The No Play), Two Trains Running, Skeleton Crew, King Liz, AIN’T MISBEHAVIN’, A RAISIN IN THE SUN & HAVING OUR SAY, staring Ms. Irma P. Hall (Big Mama of Soul Food movie fame, and A Family Thing), BEEHIVE, THE 60’s MUSICAL, THE GIN GAME, THE GOSPEL AT COLONUS, FIRES IN THE MIRROR, A SONG FOR CORETTA, A LOVESONG FOR MISS LYDIA, ANNIE GET YOUR GUN, JERRY’s GIRLS, AGNES OF GOD, THE HEIRESS, SEA MARKS, CEREMONIES IN DARK OLD MEN, LILIES OF THE FIELD, and others. Some of William’s acting credits would include, THE WHIPPING MAN, MASTHAROLD AND THE BOYS, THE MEETING, BLUES FOR AN ALABAMA SKY, DRIVING MISS DAISY, MISERY, GOD’S FAVORITE, TWO TRAINS RUNNING, JOE TURNER’S COME AND GONE, DIRTY WORK, COBB, MISS EVERS BOYS, THE SUNSET LIMITED, PIANO LESSON, AUDIENCE, OF MICE AND MEN, A STREET CAR NAMED DESIRE, SIMPLY HEAVENLY, BANK JOB, AMEN CORNER and others. TV and Film credits include – THE TUSKEGEE AIRMEN, THE GAS CAFÉ’, CADILLAC RANCH, THE TEMP, DR. GIGGLES, TERROR IN THE TOWERS, BETTER OFF DEAD, WALKER TEXAS RANGER and the soon to be released short film, Con Alma, See Me, Big Foot and Metal.

William is a member of Actors Equity, Screen Actors Guild and a graduate of the Evergreen State College with a Bachelor of Arts degree in the performing arts.

Kailey Rhodes

Advanced Acting / Performance 1

Kailey Rhodes is an actor, dancer, singer, and teacher currently splitting her time between Portland and Atlanta, at least for today. When she’s not onstage or on camera, she’s an acting coach, a middle school teacher, and an education consultant. Favorite Portland credits include Middletown Mall at Third Rail; RENT and Miss Bennet: Christmas at Pemberley at Portland Center Stage; Forbidden Fruit at Shaking the Tree; The Wolves at Portland Playhouse; Sense and Sensibility at Clackamas Rep; Urinetown and The 25th Annual Putnam County Spelling Bee with Anonymous Theatre Company; and The Last Five Years, Into the Woods, and Ordinary Days at Broadway Rose Theatre. During COVID, she devised and directed Bluebeard, an immersive car experience at Bag&Baggage alongside Cassie Greer, as well as devised, directed, and edited The Mythology of Blame, a short film produced by Portland Playhouse and Charles Grant. Film credits include The Way We Speak, where she stars opposite Better Call Saul’s Patrick Fabian. In November 2024, she is enormously grateful to join The Event!, a cosmically delightful season return at Artists Repertory Theatre, where she was previously seen in the COVID before-times in Teenage Dick, An Octoroon, and The Importance of Being Earnest.

Luan Schooler

Advanced Acting / Rehearsal 1

Luan Schooler is the Director of Artistic Programming at Artists Repertory Theatre in Portland, Oregon.  There she has commissioned and developed work with notable American playwrights including E.M. Lewis, Yussef El Guindi, Larissa FastHorse, Hansol Jung, Kareem Fahmy, Dael Orlandersmith, Ethan Slater & Nick Blaemire, Diana Burbano, Linda Alper, Andrea Stolowitz, Daniel Kitrosser, and more. Prior to joining Artists Rep, she was the Literary Manager/Dramaturg for Berkeley Rep, where she worked with many luminary writers, including David Edgar, Naomi Iizuka, Salman Rushdie, Dominique Serrand, Rinde Eckert, and Robert Fagles. Additionally, she served as dramaturg for the new Play On! translation of Shakespeare’s Hamlet by Lisa Peterson. During her time at Artists Rep, she has directed productions including the world premiere of The Thanksgiving Play (Larissa FastHorse), A Doll’s House, Part 2 (Lucas Hnath), The Children (Lucy Kirkwood), and co-directed with Dámaso Rodríguez The Strange Undoing of Prudencia Hart (David Greig). In addition to working with Ellen Lewis on Strange Birds, Luan is also dramaturg on Ellen’s new epic play, The Great Divide (a co-commission between Artists Rep and Oregon Shakespeare Festival’s American Revolution program), and recently directed her play, True Story.

Matthew Sepeda

Stage Combat

Originally from the Central Valley of California, Matthew joined Portland’s theatre community after he graduated with his B.A. in Drama from the University of Portland (’14). While he started as an actor, he was fortunate enough to begin his Stage Combat training with Kristen Mun-Van Noy in 2019. As theatres started to open back up he was fortunate enough to start teaching at Metropolitan Performing Arts as well as start choreographing shows for companies such as Oregon Adventure Theatre, Crave Theatre, and Metropolitan Performing Arts. When not acting, teaching, or swinging swords around, Matthew is a competitive dodgeball player and has even won a national championship.

Luisa Sermol

Dialect Intensive

Luisa is an Equity actress who has been acting for over four decades! A graduate of the Juilliard School, her credits include Broadway, Off-Broadway, Theatreworks Silicon Valley, Berkeley Rep, ACT, Aurora, City Lights, Williamstown Theater Festival, Portland Center Stage, Artists Repertory, Profile, Milagro, Corrib, Shaking the Tree, Cygnet, Broadway Rose, Badass, Coho, and has been a guest artist with the Oregon Symphony and the Yakima Symphony, to name a few. She is a 5-time recipient of the Portland Drama Critics “Drammy” for Outstanding Actress in a Lead role (for Sideman, Heather Raffo’s Nine Parts of Desire, San Merci, Bloody Poetry and Boleros for the Disenchanted.) She holds a Masters’ of Teaching and has studied voice/diction/dialects with such luminaries as Nancy Houfek, Catherine Fitzmaurice, Robert Neff Williams, Liz Smith, Brooks Baldwin, Deborah Lapidus, and Nancy Lane.

A lover of outreach, she has also taught for Theatreworks Silicon Valley, EnAct Theatre, Portland Center Stage, Artists Repertory Theatre, Portland Community College, Lewis and Clark College, Reed College, University of Washington, University of California, Santa Cruz, and numerous others.. Television/Film includes Grimm, Leverage, Personals, Zero Effect, and Insect Poetry. She is a founding member of The Actors’ Reading Collective, a Bay Area actor driven group born out of the Pandemic, that produces high quality staged readings, either live or streamed. She is a member Actors’ Equity Association, Screen Actors’ Guild, is a private acting coach and is honored to be a 2024 Lunt Fontanne Fellow. luisasermol.com

Paul Stein

Theatre Management, Theatre Management Practicum

Paul Stein has directed and produced world premiere plays, comedy events and solo shows in theaters and festivals across the United States, Canada and Europe.  Formerly the Executive Producer of the Comedy Central Stage, a talent development venue for Comedy Central and Viacom, Mr. Stein produced over 1,600 live shows during his tenure. From first-look showcases to in-house pilot presentations, Paul worked with such noted performers as W. Kamau Bell, Russell Brand, Chris Garcia, Nikki Glaser, Marc Evan Jackson, Marc Maron, Randall Park, Jill Soloway, Sarah Silverman, Daniel Tosh, Reggie Watts, and Kristina Wong, to name a few.  Additionally, Paul was a Venue Producer for HBO at the U.S. Comedy Arts Festival in Aspen, The Comedy Festival at Caesars Palace in Las Vegas and the HBO Workspace in Los Angeles.

He is the creator and artistic producer of The Car Plays, an immersive site-specific event where shorts plays are performed to patrons in parked cars.  For ten years, Car Play productions have presented over 100 world premiere plays throughout Southern California and collaborated with over 500 theater artists.  The Car Plays have been produced at the La Jolla Playhouse for their WoW (Without Walls) Festivals; for Segerstrom Center’s Off-Center Festivals; and for Theatre Communications Group at their TCG National Conference.

As an instructor, he has taught playwriting, sketch writing, solo performing, and technical theater production at a variety of acting training programs including: The Lee Strasberg Theatre and Film Institute, I.O. West, Second City Hollywood, Westside Comedy, UCB Theatre, VS. Studio, and most recently for Portland Community College and Kickstand Comedy.  He is excited to call Portland his new home with his wife, Lynn and their 12-year old daughter, Kiera.

Joellen Sweeney

Acting Technique 1

Joellen Sweeney (she/her) is a Portland-based actor, director and teaching artist. She has performed locally with Artists Repertory Theatre, Anonymous Theatre, Shaking the Tree Theatre, Portland Experimental Theatre Ensemble, and others, as well as regionally with Seattle Shakespeare Company. When creating and performing her own work, Joellen is passionate about storytelling that connects audiences more deeply to their environment. In 2016, she co-founded Bedrock Theatre, a performance collective that combines storytelling, live music, and hiking in parks and wilderness areas. She has also directed site-specific works for Renegade Opera and Enso Theatre Ensemble. Joellen received her MFA in Acting from the University of Washington’s Professional Actor Training Program. joellensweeney.com

Angie Tennant

Acting for Film

Angie Tennant (they/them) is an actor, teaching artist, and private coach who has recently relocated to Portland after a decade of performing and teaching in New York City. They hold an MFA in Acting from The New School for Drama, where they studied under greats like Kathleen Chalfant, Dianne Weist, Cotter Smith, and Peter Jay Fernandez. They went on to teach at Circle in the Square, The New School for Drama, and Columbia University’s MFA in Acting Program. As an actor, Angie is a proud member of Actor’s Equity and has performed Off-Broadway and on regional stages in New York, New Jersey, and now Portland. They are currently a faculty member at The Actors Conservatory and Pacific University. For more information about Angie’s acting, teaching, and private coaching, visit www.angietennant.com

Samantha Van Der Merwe

Advanced Acting / Rehearsal 2

Samantha Van Der Merwe/ Founding Artistic Director- Shaking The Tree “She creates lush, often dark and fantastical, environments that bring home the hard issues we need to face but are often unwilling to do on a daily basis. It’s a vision that needs to be supported because in her hands, some plays can be transformative.” Born in Johannesburg, South Africa, Samantha Van Der Merwe has now lived in the United States for 26 years, and is the founding Artistic Director of Shaking the Tree Theatre in Portland, OR. Founded in 2003, Shaking the Tree Theatre has become known for melding the boundaries of theatre and visual art by presenting thrilling and unconventional theatrical experiences.

Directing projects: Forbidden Fruit, Fucking A (Suzan-Lori Parks), Chick Fight (Devised/words by Sara Jean Accuardi), Family (Celine Song), REFUGE (Art Installation/Devised), BAKKHAI (Euripides/Anne Carson), Escaped Alone (Caryl Churchill), _____ the wolf (devised), SALT (devised), Macbeth (William Shakespeare), The Caucasian Chalk Circle (Bertolt Brecht), Come to the Table, Mike Pence (Devised), Miss Julie (August Strindberg, adapted by Craig Lucas), We’re All Mad Here (Devised), Venus and Adonis (William Shakespeare), Head. Hands. Feet. (Devised & Edna O’Brien), Orpheus and Eurydice (Devised), A Doll’s House (Henrik Ibsen, adapted by Frank McGuinness), Passion Play (Sarah Ruhl), Suddenly Last Summer (Tennessee Williams), Masque of the Red Death (Featuring Playwrights West), One Flea Spare (Naomi Wallace), Wilde Tales (Oscar wilde, adapted by Karin Magaldi), Far Away (Caryl Churchill), The Tripping Point (Featuring Playwrights West), Statements After an Arrest Under the Immorality Act (Athol Fugard).

Megan Wilkerson

Design Lab

Megan is a professional Scenic & Video Designer based in Portland, OR. She is a Resident Artist at Artists Repertory Theatre and a member of Chigago’s only women’s theatre The Rivendell Theatre Ensemble. Megan was a founding member of the artistic collective Bad Soviet Habits and was a Recipient of Chicago’s After Dark Award for Outstanding Scenic Design for her “thoroughly creepy” set for Marisa Wegrzyn’s Psalms of a Questionable Nature.  Her Design work has also been recognized by The Chicago Tribune, The Oregonian, The Austin Critics Circle, and The Milwaukee Journal Sentinel. 

Regionally Megan has worked with The Seattle Rep, The Oregon Shakespeare Festival, The Milwaukee Repertory Theatre, Third Rail Repertory Theatre, The New Conservatory, Renaissance Theaterworks, Milwaukee Chamber Theatre, Profile Theatre, Bag & Baggage Productions, Broadway Rose, Teatro Milagro, deFunkt Theatre, Theatre Vertigo, Northwest Classical Theatre, Next Act Theatre,  The Skylight Opera, First Stage Children’s Theatre, The Michigan Opera Theatre, Pittsburgh Public, Portland Center Stage and the Portland Opera.

In addition to her theatre work Megan has worked as an Art Director and Designer for companies such as LAIKA, Jack Morton, Sparks and Derse Exhibits.

Megan is a member of United Scenic Artists 829 and holds an MFA in Design for the Theatre from the University of Texas at Austin. She has taught Theatre, Design and Art courses at Lewis & Clark College, Michigan State University, The University of Wisconsin Milwaukee, St. Norbert College, Randolph-Macon Women’s College, Carroll University, Central Michigan University, the Milwaukee High School for the Arts, and The University of Minnesota in Minneapolis/ St. Paul.